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It can do all the things MAX can in the MIDI realm. Try out Pure Data if you can't afford MAX.

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That is why MAX and Pure Data (the free close cousin of MAX) is used by almost all the installation and procedural arts out there. Lots lof logical and mathematical possibilities and solutions. Stuff like 'transpose channel 16 by these many notes but only when channel 4 is playing between this note and this note'. MAX is perfect for this sort of this sort of thing, and much more. Stuff like 'at step #X, choose randomly to play sequence A, C, E, or F, and play it 4 times and then play sequence B and start over'. I was always trying to do the stuff I did on my Atari with Dr.T Sequencer which had all kinds of boolean and if/then sort of operations you could insert into sequences. I got into Cycling74 MAX version 2 before they added the audio capabilities (which was called Max/MSP when they did) and did a lot of MIDI mangling with it. Of course it can be used as a vst, or host them, or on Mac, with the IAC driver, so it'll run anything, not just internal soundfonts.

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Once you're seriously looking for tutorials and help, there's plenty of that, plus the dedicated KVR forums are excellent with very active participation from the dev. Most of the videos I've watched are not very good at showing the basic RC workflow in ways total beginners like myself can grasp quickly, but this one is pretty good in that way, I think: As a composing, arranging tool and not explicitly a performing tool like Numerology, it's not quite as fast or easy to adjust lots of its parameters, since you aren't working at the single note or event level where any note or parameter can be just grabbed and moved or automated, but the overall level of control is vastly deeper. I've now spent some time with RC and been having amazing results with it, and yes it CAN definitely be adjusted while running. But not really a performance device, like Numerology, for instance, right? In that you don't get to adjust it as it's running…more stop, set up, start, repeat…? ' 'Yeah, RC seems an invaluable, unique tool. Then there's always THIS to keep an eye on:

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I'm totally fascinated by musical-machines like these, but so far have found MIDI FX in Logic (no doubt Live/Bitwig/Reason are similarly powerful) to be the most flexible AND approachable, since you can run all sorts of astounding sequencers (such as from Kontakt scripts and Reaktor AND Numerology) into all sorts of modifiers, which can mod each other, etc., and point the results at anything… Which doesn't feel 'algorithmic', but definitely modular. Its strength so far, for me, is that most everything is modulatable, so it's certainly easy to set up endlessly morphing MIDI-streams, mod'ing parameters inside the sequencers. I've got Num, and I'm sure I'm under-using it, and perhaps described it above inaccurately it's certainly a feature-monster, most of which I haven't explored yet. But not really a performance device, like Numerology, for instance, right? In that you don't get to adjust it as it's running…more stop, set up, start, repeat…? Yeah, RC seems an invaluable, unique tool. Melody generation (full edition only), melody auto-harmonization using 2 methods…'

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Included variations: Add Chord Notes, Add Interval, Adjust Note Lengths, Apply Rhythm, Audio Gain, Delay Notes, Double Note, Double Phrase, Expression, Extract Rhythm, Humanize, Join Notes, Limit Note Range, MIDI Echo, Make Monophonic, Mirror Horizontally, Mirror Vertically, Permute Chord Notes, Quantize, Remove Note, Remove Short Notes, Rests, Rotate Notes, Simplify Phrase, Spread Out Chord Notes, Staccato-Legato, Strumming, Swap Chord Notes, Swing, Transpose, Triple Phrase, Velocity, Velocity Generator

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Included phrase generators: Arpeggiator, Bass Generator, Chord Generator, Dyads Run, Generator, Fingerpicking Generator, Generic Generator, Phrase Container, Piano Run Generator, Strings Staccato Generator, only in the full edition: Melody Generator, Random Melody Generator, Phrase Morpher

'Included rhythm generators: Schillinger's Interference, Polyrhythm, Subdivision, Generic Rhythm, Probabilistic Rhythm, Euclidean Rhythm, Smooth Rhythm, Bass Rhythm, Simple Intervals, Toggle Intervals I don't know if you can work with your own dragged-in MIDI (seems likely), but the best list of mangling algorithms I've seen is inside RapidComposer: No special mangling algorithms I know about. You can load MIDI files into Numerology, but I don't know how much more it can do with them besides randomizing values to a set degree and timing.

Rapidcomposer installer mac v3.php